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Re: [OM] Adobe bringing Gigapixel type function to ACR and then LR

Subject: Re: [OM] Adobe bringing Gigapixel type function to ACR and then LR
From: "Wayne Harridge" <wayne.harridge@xxxxxxxxxxxxxxxxxxx>
Date: Sun, 21 Mar 2021 22:23:27 +1100
Just an aside from the main content of this thread !  That plate looks
particularly interesting !

...Wayne


> -----Original Message-----
> From: olympus <olympus-
> bounces+wayne.harridge=structuregraphs.com@xxxxxxxxxxxxxxxxx> On
> Behalf Of Moose
> Sent: Thursday, 18 March 2021 4:06 PM
> To: olympus@xxxxxxxxxxxxxxxxx
> Subject: Re: [OM] Adobe bringing Gigapixel type function to ACR and then
LR
> 
> On 3/16/2021 5:07 AM, Frank wrote:
> > It works on my laptop with e-1 files,
> 
> Mine works now, too, after applying updates.
> 
> > I processed one from 2006.
> 
> Your examples are interesting. I decided to work with a test shot I took
for
> other purposes. It has the advantage of including a lot of different
subject
> matter.
> <http://www.moosemystic.net/Gallery/tech/Process/Adobe_Enhance&Sup
> erRes/GigaP_vs_AdobeEnhance.htm>
> 
> Small explanation: For reasons that are unclear, not only to me, but
probably
> to the developers, the process of training their AI Denoise made it a very
nice
> modest sharpener, or whatever you call something that makes fine detail
> clearer.
> 
> Two different Modes of Denoise are included, #2 & 3, because they have
> different strengths. #3 is generally best on the wood frame, the texture
of
> the art paper and the money, except for artifacts in Tom's background. #2
is
> better on the art plate.
> 
> #4, ACR/LR "Enhanced" is an also ran.
> 
> For the 2x enlargement, it is even trickier, with various options working
best
> for different subjects. ACR Super Resolution is again an also ran - except
for
> text, where, with a gentle assist from Focus Magic, it seems best to me.
> Look at the seals.
> 
> Were I doing this to make an exhibition version, I would be using masks to
> use the best of each.
> 
> Happy Eyestrain Moose
> 
> --
> What if the Hokey Pokey *IS* what it's all about?
> --
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