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Re: [OM] Head Pounding Moment

Subject: Re: [OM] Head Pounding Moment
From: "siddiq@xxxxxxx" <siddiq@xxxxxxx>
Date: Wed, 6 Oct 2010 11:36:01 -0700
That’s the veil, hanging from the ceiling? that big?!! granted i haven’t 
attended any american/western weddings, and i won’t knock what I don’t know, 
but i thought the veil’s just for the face? Can you explain how it’s supposed 
to work? or the reason for the train?

On Oct 6, 2010, at 11:31 AM, Chuck Norcutt wrote:

> The wedding dress and veil in question shot by me before the wedding.
> OM5D with Zuiko 24/2.8
> 
> <http://www.chucknorcutt.com/Wedding%20dress%20&%20veil/img_3172e%20profile_adoramalustre.htm>
> 
> 
> On 10/6/2010 12:49 PM, Ken Norton wrote:
>>> 
>>> I haven't seen any of the in-church photos but I've seen the outdoor
>>> stuff which was OK.  Except the mother was very distraught in that
>>> certain key photos she had very explicitly requested were never taken.
>>> In particular, there isn't a single photo that shows the bride's full
>>> (and lengthy) train.
>>> 
>> 
>> What you are describing about the flash usage is EXACTLY what I'm seeing
>> this year. But come to think of it... It's also exactly what I've been doing
>> quite a bit of this year too. I like the look, but it has issues--so many
>> issues in fact, that it forces post-production editing on the photos and
>> frequently it, ahem, encourages converting to monochrome.
>> 
>> As to missing the bride's train... I'm screwed up on that very thing one
>> time by failing to get one full-length shot. Big mistake. You only make that
>> one once.
>> 
>> There are two methods I've seen with multiple shooters. One method is where
>> each shooter is getting everything, the other method is where one shooter
>> gets the key shots and the second shooter gets the secondary angles and
>> stuff the main shooter is too busy to get. I would never encourage the first
>> method because you either get double of everything or you miss something
>> because you are expecting the other shooter to have gotten it.
>> 
>> AG
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