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[OM] Re: Bad attitudes and Olympus Rants

Subject: [OM] Re: Bad attitudes and Olympus Rants
From: Chuck Norcutt <chucknorcutt@xxxxxxxxxxx>
Date: Wed, 04 Oct 2006 16:10:14 -0400
I hadn't noticed all the details that Winsor points out but I stopped 
comparing after seeing the image size and exposure differences.

Chuck Norcutt

Winsor Crosby wrote:

> Well, this one is easier. If you look down the street you will see  
> that in the film shot the cables and cable cars have just about faded  
> away and the face of the yellow building is completely burned out. It  
> looks to me that the film shot has almost a full stop overexposure  
> compared to the digital shot. Of course you are going to find more  
> detail lurking in a dark shop window when you increase the exposure.  
> All you have to do is look at the woman in white sitting at the base  
> of the sign in each to see the glaring exposure difference between  
> the two images. The wire to the right of the poster is completely  
> visible in the digital image and is almost completely gone in the  
> film image, but that may have more to do with it being silhouetted  
> against the building with higher exposure. The number 32 is just  
> visible to me in the sign above the Rolex awning and I cannot tell  
> what it is in the film image.
> 
> I was mistaken about the time difference.
> 
> 
> Winsor
> Long Beach, CA
> USA
> 
> 
> On Oct 4, 2006, at 10:06 AM, C.H.Ling wrote:
> 
> 
>>For the Italy shots, they are done at almost the same time, there  
>>was no
>>lighting different. Ok, here again:
>>
>>http://www.accura.com.hk/P8193517.jpg (1.1MB, 11mm at F4, 1/800s, E-1)
>>
>>http://www.accura.com.hk/P_06.jpg  (3.2MB, 21/2 at F5.6, OM4 auto)
>>
>>To make it easier, just look at the halogen lamps inside the  
>>FARMACIA, there
>>is HUGE different between the film and digital shot.
>>
>>C.H.Ling
> 
> 
> 
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