"poorly composed" is a pretty rough assessment of your own work when our
opinions are no more valid than your own. But we do have one major
difference in that we're recomposing your smaller composition of a much
larger scene. We're not troubled by the fact that you didn't capture
what we can't see... but which you continue to see in your mind since
you were there.
Chuck Norcutt
Chris Barker wrote:
> Thanks, Chuck. I can see now that you should be able to see either
> the apex or only one path. At the time I was so taken with the trees
> that I lost my way ...
>
> This is the way for me to improve: to show others and suffer the
> embarrassment, even if it is only private, of seeing poorly composed
> or set up images.
>
> Chris
>
> On 2 Jan 2007, at 12:39, Chuck Norcutt wrote:
>
>> Very nice. 7, 10, 12, 15 and 20 have caught my attention. 7 is my
>> favorite of all. I think it might have been a bit better if the
>> apex of
>> the triangle formed by the path intersection had been included but
>> that's a minor point. I also recognize that I might decide
>> otherwise if
>> I could actually see it framed that way. 10 is my next choice. The
>> light is delectable. 20 has caught my attention since I've frequently
>> tried similar photographs of a single tree and they almost never
>> seem to
>> work out. The light definitely makes this one work. Well done.
>>
>> Chuck Norcutt
>>
>> Chris Barker wrote:
>>> Well, keeping faith with what I promised Michael Collins, here is my
>>> first hack at a new website for 2007. I have left a couple of dogs
>>> in the collection so that others can learn from my mistakes. Mainly,
>>> choose your aperture carefully and don't just pop away with what you
>>> had set last time. If you look at the settings you will see that I
>>> had f3.5 set too often and the DOF suffered ... I'll remove the dogs
>>> in due course as I force myself to improve.
>>>
>>> www.threeshoes.net/photography/ang-abbey/
>
>
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