On 8/7/06, Moose <olymoose@xxxxxxxxx> wrote:
> I have since done icc color profiles of all the films used, so the
> colors should be rather accurate. So of course, on the earliest shots, I
> found the colors in late afternoon sunlight very warm, ok, and the skies
> odd looking, not so ok. So I've been experimenting between the color as
> shot and something more neutral. Fortunately, many of the images won't
> require any such evaluation. This, for example, has very little color
> anyway
> <http://galleries.moosemystic.net/Yosemite2ip/pages/020428-29_22.htm>.
>
> Moose
>
This latter one is an exceptional shot!..
Although, I have been clicking and rolling over it with the mouse and
nothing happens.. just kidding ;-)
It might be good in b&w but I think that kind of unique, subdued
coloured light is a big plus.
By the way, how do you make an icc color profile for a film, for
example the fuji superia? This latter is not included in vewscan's
presets and it keeps torturing me... (again and again!).. It seems to
me that working with an accurate film profile is essential. For
example, I tried to scan this one:
http://www.christosgallery.fotopic.net/p31413650.html. When I realised
that vewscan had its film profile included (I think it was a kodak
gold plus) the colours came into place with such clarity and impact,
like a day from a night, comparing with random other profiles that
have been experimenting.
Christos
On 8/7/06, Moose <olymoose@xxxxxxxxx> wrote:
> I have since done icc color profiles of all the films used, so the
> colors should be rather accurate. So of course, on the earliest shots, I
> found the colors in late afternoon sunlight very warm, ok, and the skies
> odd looking, not so ok. So I've been experimenting between the color as
> shot and something more neutral. Fortunately, many of the images won't
> require any such evaluation. This, for example, has very little color
> anyway
> <http://galleries.moosemystic.net/Yosemite2ip/pages/020428-29_22.htm>.
>
> Moose
>
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