No argument here, you singled out my favorite pair.
But if I were leaving town, I'd add the 50/3.5 macro.
On Nov 10, 2016 12:58 PM, "Ken Norton" <ken@xxxxxxxxxxx> wrote:
>
> > 35mm lens (to me, the 35mm focal length was too much a mash-up of both
fish
> > and fowl) and were I still in a position to process my own film, I would
> > still be using it.
>
> This, again, points to a rather strange thing. There are "perfect"
> lenses that I can't get along with, and "flawed" (imperfect,
> pedestrian, normal, deplorable) lenses that I settle in and love.
>
> Of my OM Zuikos:
> The 24/2.8 is one of those "flawed" lenses that I can rock.
> The 28/2 is a "perfect" lens that just isn't working for me.
> The 35/2.8 is a "flawed" lens that makes me drive like Ken Block.
> The 100/2 is a "perfect" lens that is great on some cameras but
> doesn't feel like the first lens that wants to be used.
> The 100/2.8 is a "flawed" lens that combined with the 35/2.8 would be
> my last to go.
>
> The Crown Graphic I had used the "normal" lens for 4x5 camera. This
> lens was somewhere between normal and wide. I always wanted it to be
> wider. While, the normal lens on my medium format cameras was just
> fine. The 28mm equivalent wide-angle of the m43 camera kit lenses is
> just not quite wide enough, even though it's wider than the 35-80 on
> the OM bodies. The 28mm equivalent of my cell phone camera is
> completely out of sorts with me.
>
> So, it is a bit weird because I love 35mm focal length for 35mm
> cameras, but I don't for other formats. The 28mm focal length remains
> my puzzlement one. I just can't quite love it the way I should. It's
> like a great looking pair of shoes that make your feet hurt.
>
> AG
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