I went on a long bike ride earlier today. After about 50 km, I took a break on
a bench on the central square of a small town. I had the GF2 with the 20mm with
me, and grabbed several shots of people from my seated position on the bench. I
know that if I show those images, they will be cropped to perhaps 1/4 of the
original frame.
Cheers,
Nathan
Nathan Wajsman
Alicante, Spain
http://www.frozenlight.eu
http://www.greatpix.eu
PICTURE OF THE WEEK: http://www.fotocycle.dk/paws
Blog: http://nathansmusings.wordpress.com/
YNWA
On Mar 19, 2013, at 5:16 PM, Ken Norton wrote:
> Nathan wrote:
>> Because I do not want enter the slippery slope of Photoshop manipulation. My
>> ideal photograph is one that needs as little work in LR as possible.
>
> I go both ways on this. When photographing an event, I shoot for final
> product with the goal being zero post-production requirement. Life is
> too short to screw around with 1500 pictures. I might do some mass
> adjustments and fix obvious flubs, but that's about it. Portrait
> photography involves a little more editing, but I try to get it right
> in the camera.
>
> On the other hand, with the artsy stuff, I'm as likely to borrow
> Moose's neon glasses and harangue the poor pixels to death. Those that
> don't voluntarily leave, I'll crop out. However, I do not do that much
> cropping because I compose the image to what I see in the viewfinder.
> Only on rare occasions have I ever visualized an image that goes
> against what I see in the viewfinder.
>
> In the darkroom, I do tend to do a lot more cropping, but that's
> mostly because I'm technically forced to do some cropping (rebate
> removal) and I lose control and end up not knowing when to stop.
>
>
> --
> Ken Norton
> ken@xxxxxxxxxxx
> http://www.zone-10.com
> --
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