Thanks for looking, Chris. I appreciate it. There is a guy whose stuff
I'm reading who uses a rip with the 1400 to print mainly with black but
with just a tad of light magenta. The rip SW is only $50 so I am
tempted, but this feels like it might be close without quite as much
fuss and bother.
All this is just holding things together until Ken gets his darkroom
going. Congrats to Ken on finding a darkroom with a house attached.
Joel W.
On Thu, Jul 19, 2012, at 05:49 AM, Chris Barker wrote:
> It looks good, Joel. I suppose the only way to get monochrome with an
> extra "colour" like a tone is to use colour inks.
>
> My Pixma 9500 II does a good job as well, with no "brassing" evident when
> viewed at an angle.
>
> Chris
>
> On 19 Jul 2012, at 00:21, Joel Wilcox wrote:
>
> > I decided to try to make a curves action which will "tone" the print.
> > I'm trying to get a selenium toned look.
> >
> > This is an image I posted a couple of weeks ago:
> >
> > http://jfwilcox.jalbum.net/PESO/#120618-0001w.jpg
> >
> > The image is webbed out directly from the scanned negative with my final
> > decisions about tonality.
> >
> > This is a scan of an *inkjet print* of the big version of the image
> > above:
> >
> > http://myweb.uiowa.edu/jfwilcox
> >
> > The print had the "selenium toning" curves action applied before
> > printing. The print was scanned using Vuescan. I had to do some
> > adjustments to bring it a little closer to the tonalities of the
> > original. No, I don't think I will be scanning inkjet prints in the
> > future. I thought it might be interesting to see if I could convey the
> > effect of the resulting print after the "toning" was applied, since I
> > can't show you the actual "toned" inkjet print.
> >
> > I feel it is worth pursuing. What think ye?
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