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Re: [OM] Images As The Mood Strikes - 19

Subject: Re: [OM] Images As The Mood Strikes - 19
From: Chuck Norcutt <chucknorcutt@xxxxxxxxxxxxxxxx>
Date: Thu, 30 Jul 2009 08:04:51 -0400
Durn!  Here I thought you were going to tell me that some alignment 
option in PhotoShop's photomerge was going to do this automagically.
:-)

And match color.  That's the one I haven't figured out how to use yet. 
But I will.

Chuck Norcutt

Moose wrote:
> Chuck Norcutt wrote:
>> Incidentally, how do you align a panorama where the images are taken at 
>> different points parallel to the subject. 
> 
> Very carefully.  :-D   Ha, ha, ha.
> 
>> I tried that once long ago (probably using PTGui) and made an absolute 
>> mess... no doubt because of an assumed common vantage point.
>>   
> 
> I think you are right that the usual panorama stitchers make an 
> assumption about point of view that wouldn't work with the moving 
> parallel approach.
> 
> If you look at the image, you will see two big, U-shaped brackets 
> sticking out to the side between the 3rd and 4th. axle of each set of 
> drive wheels. Both appear relatively end on in the finished composite. 
> In the right image the front one is seen very much from the side, 
> creating a confusing point of view if I used it in the composite. So 
> there are some real problems an automated stitcher would have.
> 
> On the other hand, a regular panorama shot from so close would also have 
> point of view issues, with the center sen from straight ahead and the 
> ends from a sharp angle. I suspect the only way to get a really good 
> image from a geometrical/point of view standpoint would be from some 
> distance with a modest telephoto.
> 
> In this case, I had only two images to merge, so the problem was 
> relatively manageable.
> 
> - I first applied PTLens to each, to get them linear.
> 
> - My hand held level wasn't perfect, so I leveled them up with each other.
> 
> - Since they were from different points, there were different 
> perspective effects, so the overlap wasn't quite right. I used the 
> Rotate, Distort and Move subcommands of Edit=>Transform to match them up 
> at the seam area.
> 
> - Back at 100% for the top layer, I applied a mask and painted it to 
> merge the overlap.
> 
> - Because of the wildly different lighting, I did a Color=>Match to help 
> blend the color balance.
> 
> Moose
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