Plenty of subtle oranges.
Chuck Norcutt
Walt Wayman wrote:
> I've wondered myself about the differences in the way things look on other
> folks' monitors. How many see the faint gradations of orange within the dark
> grey clouds in my TOPE 22? Just curious.
>
> Walt
>
> --
> "Anything more than 500 yards from
> the car just isn't photogenic." --
> Edward Weston
>
> -------------- Original message ----------------------
> From: Chris Barker <ftog@xxxxxxxxxxxxxxxx>
>
>>Brian
>>
>>I can see the detail in the shadow area that Fernando has lightened
>>with his flash. Your photos have vertical striations in the blue and
>>the colour could not really be described as rich.
>>
>>I think that it would help you to calibrate your monitor. In case it
>>helps, mine is set to Gamma 1.8 with D50 as the colour temperature
>>(5000 deg K).
>>
>>Whatever you end up setting, you should perhaps consider giving
>>yourself a choice of temperatures, but sticking to one Gamma value.
>>If you use a festering Windoze machine (;-)) you will probably be set
>>to Gamma 2.2 already, so you need only choose your colour temperature
>>settings. But use a calibrator like the Adobe one ...
>>
>>Chris
>>~~ >-)-
>>C M I Barker
>>Cambridgeshire, Great Britain.
>>+44 (0)7092 251126
>>www.threeshoes.co.uk
>>homepage.mac.com/zuiko
>>
>>
>>On 30 Jun 2005, at 12:26, Brian Swale wrote:
>>
>>
>>>For the two TOPE images of the last exhibition, who can see detail
>>>in the
>>>branch shadow area of Fernando's image - and who can not? Who sees
>>>the
>>>sky in my image as a gradation of dark, rich blue, with rich
>>>oranges and reds
>>>in the last rays coming from the sun - and who sees instead, pale blue
>>>instead of dark blue, and yellow instead of orange and red?.
>>>
>>>
>
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