Thanks Lex and Gary. It's hard to take much credit. I couldn't find any
other place to park, and the 4T did all the work. All there was left for
me to do was edit the shots.
Gregg
>
> I finally got three photos posted at:
> http://albums.photopoint.com/j/AlbumIndex?u=80379&a=9434072
>
>
> >I also have taken fireworks shots with cityscapes on a single time
> >exposure. There is enough light from the city and the fireworks to make
> >the sky a color other than black. The buildings end up a combination of
> >silhouette from the light contamination, and lit up from the
> >fireworks. I'll try to post my attempts from July 4 tomorrow for you to
> >see what I mean.
> >
> >Gregg
> >
> >>Thanks for the suggestion. However I didn't mention that the guy in the
> >>MODERN PHOTOGRAPHY article was suggesting the following: Pick a
Skyline
> >>scene and under expose it at twilight. This would allow a visible
Cityscape
> >>over which the later (in darkness) fireworks would be exposed in the
same
> >>frame. So, he has two different light levels and the Cityscape will be
> >>exposed twice (thus the need for the film to remain unmoved) and the
> >>fireworks once.
>
>
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