Olympus-OM
[Top] [All Lists]

[OM] ZD 18-180 [was e-330, is this what we have been waiting for from]

Subject: [OM] ZD 18-180 [was e-330, is this what we have been waiting for from]
From: Moose <olymoose@xxxxxxxxxxxxxxx>
Date: Sat, 04 Feb 2006 17:39:20 -0800
Andrew Fildes wrote:

>Why on earth would anyone bother to buy an interchangeable lens  
>camera and then put a 10X zoom on it - seems pointless somehow. 
>
I didn't reply to this at the time. Partly because I saw it as normal 
curmudgeony. Partly because I wasn't interested in the on-topic ZD 
18-180. but now that Oly may finally have produced a DSLR that interests 
me, the question whether they have the lenses I would want arises.

Some personal answers to you question, in no particular order:

1. For fun!
2. To increase that probability that I will carry and use it on trips 
and treks.
3. To increase the probability that I will get those shots that won't 
wait for a lens change. I've made a lot of shots I really value with my 
10.7x zoom that I wouldn't have made without it. One example I've posted 
before <http://www.moosemystic.net/Gallery/FilmvsDigi/FvD03.htm>.
4. Because the useful range of focal lengths for general photography, 
stated in 35mm eqs., is about 12-1200 mm. Covering any reasonable 
proportion of that without zooms is generally impractical. The longer 
the zoom ranges, the more can be covered with a reasonable size/weight kit.
5. Because I often find myself in beautiful places with companions, 
often including those who are responsible for my being in the places, 
who are more interested in experiencing the places in relationship than 
in photographing them. Oddly enough, the human interaction part of these 
adventures is of considerable importance to me too. So photo equipment 
that facilitates combining both facets of the trip is important to me.
6 Because it's like a 5x zoom with a telextender that you don't have to 
bother putting on and taking off. You get an 18-90/3.5-4.5 with a 
built-in 2x telextender that defies the laws of optics by doubling fl 
while only dropping one stop instead of two.

Well, you get the idea. So suppose you could get a body with noiseless 
iso 3200 and a 10+x zoom that is WAY cheaper, smaller and lighter than a 
fast 3-4x zoom AND had equal optical performance. In other words, is you 
attitude based on some ascetic vision of the true, serious photographer 
who only creates his art the hard way? Or is it based on assumptions 
about the performance and utility of current long zoom range lenses?

I'll bet your basic assumptions are first, that they perform too poorly 
to by really useful and second, that they are too slow to be very useful 
anyway. And there is where we differ. None of the reasons given above 
would carry any weight with me if the zoom didn't perform. And the thing 
is, the one I use does. That gives me reason to hope that there are 
others, maybe even the ZD 18-180.

>Recently I used a Nikon D200 with an similar lens (what was it? -  
>18-200mm VR?) So it had image stabilisation and ultrazoom status. I  
>wish they'd lent me a 50mm instead, to get some real appreciation of  
>the camera's capability! Long zoom - soft, especially at the long  
>end. How could it be otherwise. I've just played with half-a-dozen 10  
>and 12X EVF's like the Canon S2 IS (recommended) and they are ALL a  
>bit soft. Got the best shots by far in the 40-100mm range, esp.  
>portraits.
>  
>
And yet... There is at least one "ultrazoom" that is not soft. PopPhoto 
gave the predecessor to my version very high marks, and I believe the Di 
I have is better 
<http://www.popphoto.com/pdfs/2002/1002/lenstests/tamron28.pdf>. You've 
of course seen these before 
<http://www.moosemystic.net/Gallery/Tam28-300/>. Certainly the full 
pixel insets in the 300mm shots seem sharp in both center and fairly far 
out toward the edge to me.

The speed question is more dependent on the body than just the lens 
alone. Certainly the 28-300/3.5-6.3 has proved bright enough for me 
through the viewfinder. The tougher aperture speed related question is 
AF performance. With the 300D, I've found it to be fine except in the 
combination of normal room light, long end of the zoom and low contrast 
subject. In other situations, the only focus issue is the same as with 
all AF lenses, did I get it to lock on the right thing. Otherwise, it 
just does the job.

So if the overall performance of the ZD 18-180 on the E-330 is up to the 
combo I have, it's very attractive to me. The problem is how to find 
out. I've sampled quite a number of sample shots and "tests" posted in 
various places. Unfortunately, the quality of the shots and/or 
interpretation is pretty poor. It's easy enough to ignore the folks who 
view a small, fuzzy JPEG and are in such awe of it that they immediately 
sell their existing lenses and buy the 18-180.

Tougher are the shots with soft corners where the camera either clearly 
is or may be not square to the subject and those where the subject 
distances in the corners are different than in the center, and often 
enough, from each other. So someone says the lens is soft in the 
corners, sometimes even with some idea of what fl range they are talking 
about - then posts a couple of shots where DOF is such that the corners 
are going to be soft no matter how good the lens. Ugh!

I found the sample/tests quite frustrating and began to question my own 
opinions of my Tamron. So I went through my files to find examples at 
the extremes of the fl range and in the middle and did some pixel 
peeping. Well, yeah, it's a bit softer at the edges, perhaps a bit more 
so at the wide end, although the lack of careful replication at 
different apertures makes it hard to be sure. But the difference between 
corner and edge is quite small. Even in the close focus range, this 
seems to be true.

I found one set of 3 shots of the same close-up of grass with fallen 
leaves at different apertures. A casual look at the widest aperture shot 
might lead one to say it has soft corners. closer attention reveals that 
I was not quite square to the subject AND focus was just slightly off. 
Leaves that stick up from the ideal focal plane are slightly sharper 
than in the next shot. So what is happening is that the upper corners 
are indeed a bit soft, but as a result of insufficient DOF. The lower 
corners are fine.  with a smaller aperture, DOF takes over and the 
corners are all fine.

So after all that, what about the ZD? Even allowing for poor technique, 
there are enough question about it's performance to give me pause. It's 
well within the realm of possibility that is really is too soft in the 
corners, at least opened up. One of the key features of the Tamron is 
that it does not have to be stopped down at the long end for top 
results. And several folks have commented on focus hunting at the long 
end. Now I already have that opinion of the E-1, which is mostly what 
they were using it on, even with faster lenses. So maybe it will be fine 
with the E-330 and eventual E-x

Confusion reigns in the mind of the Moose, not a very big place to reign 
over, though.

>Stabilisation? Fine for available dark portraits but - what about  
>subject movement? You get lulled into a sense that you'll get the  
>shot and find that what you get is a blurry mess because the child/ 
>horse/tortoise was moving. You think that you can shoot a 300mm  
>effective at 1/30sec - only if the subject is a bloody rock! At that  
>length, you have to take great care of what you are doing or else -
>
Heartily agree! IS is simply not a solution nearly as good as lens and 
sensor speed. Higher shutter speeds are the specific for both kinds of 
movement. It also adds cost, size and weight, especially in lenses.

>and zooming way up there because you can is a recipe for disappointment
>  
>
And here I disagree. Sure you have to take some care, but it often works 
for me. The 300 mm (480 mm 35mm eq/) shot of the lake and islands above 
was made on an overcast day, standing up on the edge of a cliff and in a 
fair breeze, handheld. Clammer shot also handheld, bu calmer 
circumstances. The vulture shot was almost pure reflex. Bird comes up 
from behind as I am shooting something else. I zoom out to max while 
raising the camera and push the button as soon as the bird in in the 
viewfinder. No care/preparation. Would it be sharper if I hung a stuffed 
bird on fishing line and shot with a prime on a tripod? Probably, but it 
just wouldn't be the same shot. And I couldn't see the bird looking back 
at me. Would it be sharper with a faster 28-115 zoom? Maybe, but what's 
the point by the time I crop it?

Moose


==============================================
List usage info:     http://www.zuikoholic.com
List nannies:        olympusadmin@xxxxxxxxxx
==============================================

<Prev in Thread] Current Thread [Next in Thread>
Sponsored by Tako
Impressum | Datenschutz