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Re: [OM] SLR viewing versus RF viewing

Subject: Re: [OM] SLR viewing versus RF viewing
From: "John A. Lind" <jlind@xxxxxxxxxxxx>
Date: Wed, 14 Aug 2002 13:54:38 -0500
At 10:09 8/14/02, William Sommerwick wrote:


Any comments from those who have just added an RF camera to their photo bag?


I've read some of the other responses. I added an RF to the bag a few years ago, so it may not qualify as "just added" but will throw in my tuppence worth anyway.

Different types of cameras require different modes of visualizing, whether it's a rangefinder, SLR, TLR or technical view camera. Those who cut their teeth on an SLR and have "just added" an RF to the bag need to allow some time to develop their skills at visualizing the final image and working the framing and focusing differently; in a manner that fits the tools an RF provides for it.

The downside of the RF is parallax between viewing optics and the taking lens (as with a TLR). However, if it has a reasonably accurate viewfinder frame this effect only kicks in with objects at close distances. The SLR has a great advantage with macro and micro photography. One can use a system RF for this, and prior to the Nik*n F in 1959 there were RF systems that had accessories for it, albeit more complex and cumbersome mechanically and optically.

The upside is usually lower noise from only shutter travel. Lens stopdown and mirror slap are omitted. There may be a slight delay in shutter release with older ones that have an F, M and/or FP sync in addition to X-sync for flash (to fire the flashbulb before shutter travel), but it's still usually shorter than an SLR which must stop the lens down and move the mirror. In addition, the viewfinder does not go dark during exposure. There is a visual and aural feedback whether or not one has exactly captured the decisive moment, and it's easier to pan. The workaround with an SLR is keeping the other eye open peering around the prism, but this more difficult with SLR viewfinders that are not 1X, and part of the view for the other eye is blocked by the prism.

No single type of camera design dominates the others. Each has its pros and cons which can give each one more suitability for certain specific types of photography, if the pros are exploited to advantage in use.

-- John


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